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NICU'S SPOON CLASSES- TAKE ON NYC!
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| Link ID |
298 |
| Title |
NICU'S SPOON CLASSES- TAKE ON NYC! |
| Url |
http://www.spoontheater.org |
| Description |
Fall 2006 Classes!!
Auditioning in New York- How to get the Work!
This four part seminar deals with auditioning for both Stage and Film in New York and is meant for new graduates, those new to NYC, or those tired of not getting cast. Taught by Artistic Director of Nicu?s Spoon. -$100 (class limited to 10) Oct 2006
Part 1: THE AUDITION -This covers Preparation, Presentation and Performance ? what NOT to do, NOT to say, NOT to wear. What gets you noticed and can get you at least a call-back? How can you relax and just be yourself ? and get the part? Oct 7 4:30-6
Part 2: MONOLOGUES- What works for you and what doesn?t? How to find the best monologues for your audition. How to freshen up an audition piece. How to have a classy look by tying two mono-logues together in an audition. Oct 8 4:30-6
Part 3: THE COLD READING- How to learn to be a good cold reader. How to make immediate choices that work in an audition. How to not keep your head in the script. How to not panic if you have no time to prep before a cold read. Oct 14 4:30-6
Part 4: HEADSHOTS & RESUMES ? What works and what doesn?t? How to make your resume more professional without lying. Does your headshot work for you or against you? This includes a personal analysis of your headshot and resume. Oct 15 4:30-6
Proposal Writing- the nuts and bolts:
Two 2 hour workshops on grant writing. This course has been taught to non-profits all over Europe and the USA and is offered in the USA by the original teacher who has gotten over 250 million in grants over the past 10 years!!! Come and get yours! -$80 (7 places left in the class)
Part 1- From basic research to approaching funders and foundations and on to letters of enquiry and proposal writing. What are the main rules of grantwriting and how do you develop a relationship with foundations? How do you ?grow? your grants to get bigger each year? Oct 21 4-6
Part 2 -What to do once you have $$$? How do you spend it? What is the difference between restric-ted and unrestricted money? What should you know about reporting and record-keeping? What about US tax laws, state tax laws and others? (This includes handouts, lists of where to go, etc.) Oct 22 4-6
To get information and to Pre-Register e-mail info@spoontheater.org |
| Category |
Acting Schools, Classes & Training > New York Acting Classes & Schools |
| Keywords |
AUDITION classes headshots cold reading |
| Date |
Sep 1, 2006 |
| Contact |
S. BARTON-FARCAS |
| Email |
send email to S. BARTON-FARCAS
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The Ward Studio honors craft and respects the discipline required to mature talent into skill. We also appreciate that artists wish to make their living doing what they love. And to this end, our curriculum includes a rigorous career mentoring program that supports actors as they confront the challenges associated with creating and sustaining professional careers. While you're here you will work hard, and the results will last a lifetime.
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Workshop for Actors with Master Teacher from Russia
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Moscow in Manhattan Russian American Theater Education Exchange
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Friday/Saturday/Sunday
Friday Workshop 6 ? 9PM
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shifting awareness from external object to internal and back; visual, hearing, and multi-object awareness. Training Exercises: Imagination as the main component of awareness from concrete objects to imaginary objects.
Saturday Workshop 6 - 9PM
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Sunday Workshop 3-6PM
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LONG ISLAND ACTORS...Don't Miss this Opportunity!
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NYC ACTING COACH, LISA REGINA, ("Kim" on The Sopranos)
RETURNS TO LI FOR AN (8) WEEK SUMMER INTENSIVE
In response to overwhelming demand, Actress/Educator/Filmmaker,
Lisa Regina is returning to LI for her on-camera intensive.
Now in (2) locations ? actors of all ages and skill levels can prepare
professionally.
Youth and Adult On-Camera Classes include?
? Audition Technique
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Plus Audition for NY Casting Directors and Agents!
Saturdays beginning June 3rd ? Bethpage
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Students prepare scenes from the drama of the world?including Shakespeare?and take part in improvisations. And we discuss the technical meaning of these sentences by Eli Siegel, the founder of Aesthetic Realism, in a lesson he gave to actors:
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